A Film and Its Era: All About My Mother, by Pedro Almodóvar (Il était une fois… Tout sur ma mère, 2012)
Director: Antoine de Gaudemar
What happens behind the scenes of a film? How does the director deal with the stars and his or her crew? What is the social and political context in which a film is made? Does it affect the film? The ultimate documentary series that sets out to resolve these and more questions is finally on Eurochannel: A Film and Its Era.
This 30-episode documentary series aims to reveal all the secrets and historical contexts of a particular cult film, its groundbreaking director, and the epoch it represents. Made by a different director, each episode of this series offers extracts of the film, as well as exclusive interviews with its director, protagonists and cinema historians, to offer a holistic view of the production.
With a great sense of aesthetics and a comprehensive account of each movie, A Film and Its Era includes directors and classics such as Alfred Hitchcock’s Notorious, Roberto Rossellini's Rome Open City, Roman Polanski's Tess, Federico Fellini's La Dolce Vita, Jacques Demy's The Umbrellas of Cherbourg, and many more.
Accompany us on a cinematic journey and discover the secrets behind some of your favorite movies in this celebratory documentary.
Pedro Almodóvar directed All About My Mother in 1999. The film offers a gallery of women’s portraits - nurses, actresses, transvestite prostitutes, nuns - facing life and its tragedies by themselves. However, there is no major male part in this film, in which the world seems to belong to the women, who grieve for missing men, or have bluntly decided to change their gender. All About My Mother takes place in the new Spain of the 90s: the sexual liberation and cultural explosion have transformed within two decades the oldest European dictatorship into an ultramodern country in which, after the movida years in Madrid, Barcelona has become the trendiest city in Europe. But it also has its dark side: the fashionable metropolis is the capital of drugs, prostitution, and AIDS. The film explores transgender theories and offers a new design of the family, no longer based on genetic links, but on elective empathies.